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The Holy Family on the Steps

Nicolas Poussin · 1648

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The Holy Family on the Steps — Nicolas Poussin
The Holy Family on the Steps, 1648. Nicolas Poussin (French, 1594–1665). Oil on canvas; framed: 103.5 x 135.3 x 13.3 cm (40 3/4 x 53 1/4 x 5 1/4 in.); unframed: 73.3 x 105.8 cm (28 7/8 x 41 5/8 in.); former: 72.3 x 104 cm (28 7/16 x 40 15/16 in.). The Cleveland Museum of Art, Leonard C. Hanna Jr. Fund, 1981.18 · Cleveland Museum of Art

Mary presents the child to the world while the young John offers an apple, recalling the Fall. Joseph's compass refers to his trade and to God the Father. Poussin planned such compositions carefully, including through experiments with wax figures. Simple forms and primary colors organize this meditation on salvation.

Mary, dressed in blue, sits in the middle of the steps. Her body and clothing form a large, stable shape around which the others are arranged.

The young John offers Jesus an apple. In the museum's interpretation, the fruit recalls the Fall and its place in the Christian account of salvation.

Joseph sits farther back on the steps holding a compass. The tool refers to his work as a carpenter and to the image of God as maker of the world.

Columns rise at the left. Architectural steps, verticals, and horizontals support the geometrically planned positions of the figures.

Clouds appear above the buildings. This small area of sky completes the depth behind the monumental family group.

Poussin spent most of his career in Rome, painting for educated patrons. He studied ancient sculpture and arranged wax figures in a miniature theater. This let him test lighting and the positions of participants before painting a complex narrative.

Medium
oil on canvas
Collection
Cleveland Museum of Art
Dimensions
Unframed, 73.3 × 105.8 cm
Accession number
1981.18

Sources

Image provided under CC0. Image licence