Comtesse de la Châtre (Marie Charlotte Louise Perrette Aglaé Bontemps, 1762–1848)

The countess’s white muslin dress reflects a fashion popularised by Marie Antoinette. Her pose probably responds to British portraiture. Painted in 1789, the picture preserves a setting both sitter and painter would leave during the French Revolution.

The countess turns towards the viewer. An approachable manner forms an important part of her formal image.

A large black ribbon decorates the broad hat. The contrasting headwear frames the illuminated face.

The white muslin dress forms soft folds. Light fabric reflects court fashion associated with Marie Antoinette.

A small red-edged book rests in her hands. It connects the sitter’s pose with reading.

A dark sash forms a large bow. Its clear waistline organises the dress’s pale volume.

A gilded scroll borders the green seat. Furniture preserves the formal character of the countess’s surroundings.

Marie Antoinette was a major patron of Vigée Le Brun. In 1789 the painter left France and subsequently worked across Europe, including Russia. The portrait stands near the division between two phases of her career.