Saint Andrew

Saint Andrew was one of five figures in a portable altarpiece. Its original rectangular frame survives. The government of Siena may have commissioned the altar. Its small panels could be folded for transport and opened for prayer.

Long-haired, bearded Andrew inclines his head. Its orientation suggests participation in a wider altarpiece arrangement.

A red bound book is held against his chest. The attribute connects the apostle with transmitting Christian teaching.

Broad diagonal folds cross the pale pink mantle. The fabric’s lines give the small figure a clear internal structure.

A circular halo is incised around the head. Treatment of the gold surface differs from the painted modelling of the face.

A gold pattern runs across the painting's original frame. This framing survives from the altarpiece's creation.

Simone Martini worked for Siena’s government, cathedral and hospital. His later move to Avignon expanded his patrons. A small portable altar represents a different scale from large civic paintings.