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Paintings

The Champion Single Sculls (Max Schmitt in a Single Scull)

Thomas Eakins · 1871

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The Champion Single Sculls (Max Schmitt in a Single Scull) — Thomas Eakins
Purchase, The Alfred N. Punnett Endowment Fund and George D. Pratt Gift, 1934 · The Metropolitan Museum of Art

Eakins began his rowing series after returning from Europe. The painting probably commemorates Max Schmitt’s victory in October 1870. Eakins also rows in the distance. Sport joins personal experience with his sustained study of bodies in movement.

Schmitt turns towards the viewer from his boat. A pause allows close attention to the athlete between rowing movements.

A long yellow racing shell crosses the foreground. Its narrow hull reveals a craft designed for speed and balance.

Eakins rows in the middle distance. The painter places his own experience beside the portrayal of an acquaintance.

Bridges cross the river behind. Sport takes place within an active urban environment.

A bare tree rises from the left bank. The nearby natural form establishes distance from boats and bridges.

Eakins studied anatomy and used photography to investigate movement. Rowing connected bodily structure with a specific skill, equipment and place familiar to him.

Medium
Oil on canvas
Collection
The Metropolitan Museum of Art
Dimensions
81.9 × 117.5 cm
Accession number
34.92

Sources

Image provided under CC0. Image licence