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Arhat

Unidentified Korean painters. A monk extends a bowl towards a small dragon. This Korean scroll of 1235 belonged to a set depicting five hundred arhats, disciples of the Buddha who attained…

Twenty-three Deity Nairatma Mandala

Unidentified Tibetan painters. Nairatma dances at the centre of this fourteenth-century Tibetan mandala. A palace with four gateways extends around her, surrounded by cremation grounds.

Tarquin and Lucretia

Tintoretto. This painting draws on a Roman account of a crime that brought about a change of government. Sextus Tarquinius, son of Rome’s last king, raped Lucretia.

The Love Song

Sir Edward Burne-Jones. A woman plays a small organ, a knight listens, and Cupid operates the instrument. Edward Burne-Jones worked on The Love Song from 1868 to 1877.

The Battle between the Gods and the Giants

Joachim Wtewael. On a small copper plate, Joachim Wtewael staged a battle for which even the sky seems too cramped. Giants challenge the Olympian gods and suffer defeat.

Water Lilies

Claude Monet. Claude Monet returned to this pond for years, having first created the pond itself.

At Mouquin's

William James Glackens. At Mouquin’s restaurant, one might encounter both an artist and the person who would review his painting.

Quiet Life in a Wooded Glen 林麓幽居圖

Wang Meng. In 1361 Wang Meng painted a man living among mountains, playing a qin and keeping a book close at hand. Beyond this refuge, the Yuan dynasty’s order was breaking down.

Snowscape with Figures

Kim Si. Kim Si painted this winter landscape in 1584. He belonged to an educated Korean family affected by his father Kim Anro’s political downfall.

Alessandro de' Medici

Pontormo,. When Pontormo painted Alessandro de’ Medici around 1534–1535, Florence had recently become a duchy.

The Annunciation

Jean Hey, Master of Moulins. An angel tells Mary that she will become the mother of Christ.

The Beach at Sainte-Adresse

Claude Monet. Two ways of looking at the sea coexist on the beach at Sainte-Adresse. For fishermen it is a workplace; for visitors, a spectacle and a place of leisure.

Edward VI as a Child

Hans Holbein the Younger. The portrait is associated with Holbein's New Year's gift to Henry VIII in 1539. The king's only legitimate son holds a scepter and makes an authoritative gesture.

The Home of the Heron

George Inness. A small heron nearly disappears into dark water. The title promises a bird’s habitat, yet George Inness leaves its details barely distinct.

Willow Bridge and Waterwheel

Hasegawa Sôya. A bridge extends across the twelve panels of two screens painted by Hasegawa Soya around 1650. The place is Uji, a celebrated site between Kyoto and Nara.

The Five Virtues

Ren Yi. Ren Yi painted these birds in 1895, the final year of his life. Five pairs represent the fundamental relationships of Confucian society.

A Lady Playing the Tanpura

Unidentified Kishangarh painter. A woman holds a tanpura and touches its strings. An unidentified painter made the image around 1735 in Kishangarh, a Rajput principality.

View of Toledo

El Greco. El Greco painted Toledo around 1599–1600. He spent most of his Spanish career in the city. Its skyline is recognizable, although buildings have been rearranged.

Madonna and Child

Giovanni Bellini. Bellini places the Virgin and Child close to the viewer, with a stone parapet between them.

Whalers

Joseph Mallord William Turner. Turner was seventy when he exhibited Whalers at the Royal Academy in 1845.

Houses of Parliament, London

Claude Monet. Monet viewed the Palace of Westminster from a terrace at St Thomas’s Hospital across the Thames.

Wanderer above the Sea of Fog

Caspar David Friedrich. A man has climbed above the fog and stopped with his back to us. His face is hidden, and his own body partly blocks the view ahead.

View of Cotopaxi

Frederic Edwin Church. A snowy summit, tropical plants and a waterfall meet in one view of Ecuador.

The Tale of Genji

Unidentified Japanese painters. Five episodes from The Tale of Genji share a continuous landscape on these early-seventeenth-century screens.